Jack Henrie Fisher
Editorial
—
Alan Moore
Edit deAk (1950–2017)
—
Chris Reeves
Alloturgies in the Annex: Something Else Press and the Fluxus Mode of Production
—
Lucy Mulroney
Self-woven, Self-shod, and Self-liberated
—
T’ai Smith
Fashion Capitalism, Part 2:
The Frock Coat and the Value Form
—
T’ai Smith
Fashion Capitalism, Part 3:
The Mode of the Libidinal Economy
—
Lisa Vinebaum
New Demands, Part 1
—
Eirik Steinhoff
Scenes of Instruction, Scenes of Insurrection
—
Nane Diehl
Bookmark
—
Jennifer Scappettone
1-M@n Dr1ll: Smokepenny Lyrichord Heavenbred, Act III
—
Francesco Marullo
Ocean Flights and Crashed Planes: A Reading of Brecht’s Two Learning Plays
—
John A. Tyson
Between Marxism and Cybernetics: Seth Siegelaub’s Committed Compilations
—
David Bennewith
Technical Images for Social Engineering
—
Charlotte Taillet and Joel Colover
Imagine holding out your hands and catching words, pictures, and information floating by.
—
Josh MacPhee
Anarchism in your Pocket: The Rise of Mass-market Anti-authoritarianism
—
Christopher Burke
Modernism and Traditionalism:
Points of Convergence in
European Typography, 1925–1950
—
Chris Lee
Strike and Riot: A Possible Syllabus
—
Tom Fisher
Literary Communism and Communal Poetics, Part 2
—
Alexander Negrelli
Untotal Recall.zip: Basic Remarks
on CGI
—
Nellie Kluz
Feedback in Radical Software
—
Juliette Cezzar
(illustrations by TXTbooks)
The Digital Dilemna: Meaning, Environment, Counter-culture,
and Aesthetics
—
Bertolt Brecht
The Radio as an Apparatus of Communication